PULCINELLA CORNUTO IMMAGINARIO
Pulcinella, Imaginary Cuckold
Pulcinella does not want to stage the comedy that sees him as the protagonist as a "cuckold". Once order is restored, the show can begin.
A medallion is found by Teresina, Pulcinella's wife. This is where a series of misunderstandings begin that will make Pulcinella believe that he is betrayed by his wife Teresina with Lelio, Lelio that he is betrayed by Angelica with Pulcinella, Teresina that Pulcinella is Angelica's lover. Many comic events will overwhelm Pulcinella and bring him in the presence of the famous magician Prospero and in search of the notorious Captain Fracassa until the showdown.
The spectator will be catapulted into an imaginary in which he will stop his passive role and actively become part of the show, where nothing is defined, and improvisation and participation each time will determine new scenarios and unpredictable endings.
Photogallery
PULCINELLA, IMAGINARY CUCKOLD
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No. of actors: 3
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Service: lights and audio included
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Genre: Commedia dell'arte
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Duration: 70 minutes
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Age: from 15 on
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Electric load: 6 kw (smoke machine on stage)
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Minimum space: 6m x 6m
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The show does not require a stage
PULCINELLA, imaginary cuckold.
"The Comedians of the Art have given their ferment to the history of theater and a creative genre that is not reflected in other theatrical forms: a transgressive, liberating genre in which comedy, hilarity, sarcasm, sneer and irony are the bread that feeds the viewer. Art Comedians have changed the relationship between actor and spectator, enriching it and rediscovering the difference between being there and participating ".
This is the spring that moved our work. Starting from tradition to interpret it and present it to the public in a new, modern way but respectful of tradition. A show where rhythm and musicality are the masters.
The text merges ancient canvases of the "Commedia dell'Arte", with the comedy of Molière "Sganariello". In short, a circle of contaminations and interferences that makes the show original but traditional at the same time.
The spectator finds himself catapulted into an imaginary in which he stops his passive role and actively becomes part of the show where nothing is defined, nothing is fixed and improvisation and participation each time determine new scenarios and unpredictable endings.
Masks, jokes, original music, wonderful costumes ... in short: "Ladies and Gentlemen, let the magic of theater begin".